UNIVERSITY of NOTRE DAME

Artistic Relevance In Artificial Intelligence? “Roger” That!

Kelly Heilman

In an era of technological revolution, artificial intelligence is shocking the legal field with its increasing popularity, power, and potential. The limits of property, personhood, and creativity are in question by both the public and the courts, leaving significant ambiguities in the law. Legal standards regarding the regulation of advanced technologies have raised unique and critical substantive questions for intellectual property rights, particularly that of trademarks, where the traditional purpose is source identification between consumers and goods.

Since the 1989 holding in Rogers v. Grimaldi, the use of trademarks for creative purposes, as a matter of First Amendment jurisprudence, has resulted in a near-perfect track record as an infringement defense. Questions have abounded as to who actually owns the property rights to an artificial intelligence generated work, and who gets to claim it as his own artful invention.  This Note advances the position that, due to the ongoing circuit split regarding the infamous Rogers test, the law needs to establish clear boundaries as to ownership in artificial intelligence and once-and-for-all define what it means for a work to be “artistically relevant.”

It goes without saying that artificial intelligence will continue to transform the “trademark ecosystem” and that the law will need to innovate alongside it to keep up with market trends. Consumers must be able to identify artificial intelligence as its own “being” with its proper creators and sources—the source identifying purpose of a trademark—or intellectual property protection may begin to break down and face disincentives for registration in the first place.

Introduction

From the Rogers case came the Rogers test (“the Test”), as did a circuit split, which is the subject of this Note. The Test, described in detail below, is a defense to trademark infringement, with trademark law being regulated by the Lanham Act of 1946. If a trademark is used in a manner that is claimed to be “artistically relevant,” defendants very likely will not face liability, based on the existing case law.  The Test has two prongs. Using and portraying an already-registered trademark (not one’s own) is protected unless (1) it has “no artistic relevance” to the underlying work, or (2) it explicitly misleads as to the source or content of the work. 

There appears to be two ways forward: either the property laws surrounding artificial intelligence become tighter and more transparent to the public, or the Rogers test will need to be, once and for all, addressed by the Supreme Court to define the limits—if any—of what it means for something to be “artistically relevant.” 

For purposes of this Note, “artificial intelligence” is defined as “the theory and development of computer systems able to perform tasks normally requiring human intelligence, such as visual perception, speech recognition, decision-making, and translation between languages.”  Artificial intelligence is often used as a type of automatic utility to make product selections (possessing capabilities such as maintaining artificial neural networks and hosting expert systems and robotics) rather than doing so via mere human cognition, which confuses the way a traditional trademark functions.

However, artificial intelligence is not limited to science fiction-style robots, and such technology has snuck into the everyday lives of consumers. This makes for an inquisitive study into who (or what) intellectual property rights belong to, and if secondary use of a trademark through artful creation is considered infringement under the Rogers test in commonplace technologies.

References

Juris Doctor Candidate, Notre Dame Law School, 2023. Many thanks to Professor Gerard Bradley for his passionate guidance and encouragement as my advisor for this Note. I also want to express my sincere love and appreciation to God, my friends, and my family, especially Laines, for unending support in my journey through law school.

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Notre Dame Journal on Emerging Technologies ©2020  

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